Friday, February 25, 2011

Sir Ken Robinson

Sir Ken Robinson (born Liverpool, 4 March 1950) is an author, speaker and international advisor on education in the arts to government, non-profits, education and arts bodies. He was Director of The Arts in Schools Project (1985–89), Professor of Arts Education at the University of Warwick (1989–2001) and was knighted in 2003 for services to education.

Saturday, February 19, 2011

The Exhibition: The Parallax View

Lehmann Maupin announces The Parallax View, an exhibition of significant works exploring observation as conflict, curated by Manual E. Gonzalez. On view 10 February – 19 March, 2011, the Chelsea exhibition features works by Teresita Fernández, Dan Flavin, Gego, Mary Heilmann, Eva Hesse, Robert Irwin, Agnes Martin, Robert Morris, Bruce Nauman, and Robert Smithson, all acclaimed artists who confront traditional notions of space, light and the nature of observation.

Grounded in the idea of a parallax, defined as “the apparent displacement of an observed object due to a change in the position of the observer,” this exhibition brings together stylistically disparate artists linked by the tension and romance between rigorous geometry and expressive chaos. The Parallax View explores the idea of observation as conflict: conflict between mind and object; analysis and fleeting insight; continuity and fragmentation; object and artifact; inner and outer.

The minimalist works by Dan Flavin and Robert Irwin provide narratives about light and landscape. Agnes Martin and Mary Heilmann suggest both the vastness and intimacy of nature, yet another source of conflict, but free of nostalgia or sentimentality. Bruce Nauman, Robert Morris and Teresita Fernández define perception, the physical and temporal relationships that a viewer encounters in relation to an artwork, setting the stage for interpreting a parallax as a prism that reflects the many facets of observation as conflict. Eva Hesse and Gego take a playfully minimalist approach to liberate sculpture from its traditional restraints, and straddle the line between figuration and abstraction.

Taken as a whole, the exhibition is a complex spatial proposition on the relationship between seeing and experience, an abridged history within the shifting paradigms that ushered art towards the present century.

TERESITA FERNÁNDEZ Untitled Installation view at Lehmann Maupin, New York, 1997 wood, scrim, mirror, pencil 120 x 120 x 9 inches 304.8 x 304.8 x 22.9 cm LM5225

Tuesday, February 8, 2011

Artist: Nancy Grossman

Road to Life

Artwork Details


I. 17 7/8 x 25 in. (45.4 x 63.5 cm); S. 19 3/4 x 26 1/8 in. (50.2 x 66.4 cm)

Medium: Lithograph

Creation Date: 1975

Artist: John Currin

Blond Angle

Dimensions: diam.: 16 in.

Medium: oil on canvas

Creation Date: 2001

On View

At Indianapolis Museum of Art

Friday, February 4, 2011


Maurice Sendak painted this mural in the New York apartment of his friends the Chertoffs. The family donated the mural (and plaster) to the Rosenbach Museum and Library in Philadelphia; through April, the public can watch repairs in progress.

Maurice Sendak has almost never applied his signature toothy creatures to walls, but in 1961 he gave a mural to friends, Lionel and Roslyn Chertoff, on Central Park West in New York. In their apartment, he spent months filling a bedroom wall with costumed children leading birds and circus animals. He inscribed the names of the Chertoffs’ children, Larry and Nina, on a parasol wound around a lion’s tail.

Three years ago the family donated the mural to the Rosenbach Museum and Library in Philadelphia, which owns about 10,000 of Mr. Sendak’s works. The Chertoff painting, still attached to 1,000 pounds of Manhattan plaster, has been mounted on an aluminum-reinforced wall at the museum’s Sendak gallery.

Through April, the public can watch repairs in progress for two hours on Wednesdays (about 1 to 2 p.m. and 6 to 7 p.m.). Milner & Carr Conservation will patch cracks, remove patches of whitewash and fill in lost details. Mr. Sendak is scheduled to complete the work.

“We’re hoping there’s some tiny little thing that he’ll add a flourish to, maybe one little blade of missing grass,” said Catherine L. Myers, a senior conservator at Milner & Carr.

Tuesday, February 1, 2011

Beautiful Views of Planet Earth

Loreena McKennitt - Night Ride Across the Caucasus

I found this at: